
TL11
8K laser precision for briefing rooms and dedicated cinema.
Three 8K UHD laser projectors built for rooms that cannot be rebuilt around them. From 5,800 to 10,000 lumens, 0.8 short throw as standard, and a light engine rated to 100,000 hours.
One optical platform, three output tiers. Every model resolves native 8K UHD and projects from a 0.8 short-throw position.

8K laser precision for briefing rooms and dedicated cinema.

8,000 lumens and a 100,000-hour light engine for permanent installs.

10,000 lumens, 150,000:1 contrast and images up to 400 inches.
TruLite projectors use advanced laser technology to produce incredibly sharp and detailed images. With a wide color gamut and high dynamic range support, every model delivers a truly cinematic experience that holds its calibration for the life of the light engine.
From 5,800 to 10,000 lumens, a TruLite holds a clear, saturated image in rooms you cannot fully darken. The same projector that anchors a blacked-out cinema will still read across a glass-walled boardroom at midday.
A laser light source has no lamp to replace, no consumable to budget for and no colour drift to recalibrate around. The TL15 and TL21 are rated at 100,000 hours: eight hours a day, five days a week, that is forty-eight years before the engine reaches half brightness.
One optical platform, three output tiers. A 0.8 short-throw ratio means the same mount position works for a 60-inch briefing screen or a 400-inch feature wall, without a specialist lens.
The three models share a chassis philosophy, a 0.8 throw ratio and a 25 dB acoustic target. They separate on light output, contrast and how large an image they will hold.
| Specification | TL11 | TL15 | TL21 |
|---|---|---|---|
| MSRP | $6,950 | $8,900 | $11,500 |
| Resolution | 8K UHD | 8K UHD | 8K UHD |
| Brightness | 5,800 lumens | 8,000 lumens | 10,000 lumens |
| Native contrast | 40,000:1 | 70,000:1 | 150,000:1 |
| Projected image | 60–300" | 60–300" | 100–400" |
| Throw ratio | 0.8:1 short throw | 0.8:1 short throw | 0.8:1 short throw |
| Internal display | 4.5" LCD TFT | 5" LCD TFT | 6.5" LCD TFT |
| Light source life | 30,000 h | 100,000 h | 100,000 h |
| Light source power | 250 W | 250 W | 250 W |
| Colour temperature | 9,000 K | 9,000 K | 9,000 K |
| Fan noise | 25 dB | 25 dB | 25 dB |
| Nominal impedance | 4–8 Ω | 4–8 Ω | 4–8 Ω |
| HDMI | 2x HDMI 2.1 | 3x HDMI 2.1 (4K120 / 8K60) | 3x HDMI 2.1 + 1x eARC |
| DisplayPort | — | — | 1x DisplayPort 2.0 |
| USB | 2x USB-A 3.0 | 2x USB-A 3.0 + 1x USB-C | 2x USB-A 3.0 + 2x USB-C (PD) |
| Audio out | 3.5 mm + optical | 3.5 mm + optical + HDMI ARC | 3.5 mm + optical + HDMI ARC + XLR |
| Wireless | Wi-Fi 6 / Bluetooth 5.0 | Wi-Fi 6E / Bluetooth 5.2 | Wi-Fi 6E Tri-band / Bluetooth 5.3 |
| System control | — | — | RS-232 / LAN / IP control |
A laser light source is not a brighter lamp. It removes the consumable, holds its colour point over the life of the engine, and reaches full output the moment it is switched on.
Every TruLite resolves a true 8K UHD grid. At normal seating distance the pixel structure disappears entirely, which is what lets a 300-inch image stay readable from three metres away instead of dissolving into a screen door.
A 0.8:1 ratio places the lens closer to the screen than the image is wide. In practice that means no ceiling run down the length of the room, no presenter walking through the beam, and a shorter cable path.
Twenty-five decibels is quieter than a library. In a conference room the projector disappears behind the ventilation; in a cinema it never competes with a quiet dialogue scene.
A 9,000 K light source keeps whites neutral under fluorescent and LED ambient light instead of drifting warm, which is what makes charts and spreadsheets legible rather than merely visible.
Brightness only means something once you know how much light is already in the room. Move the slider and see what each model holds on screen as the room lights come up.
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Screen luminance = lumens / (screen area x pi), assuming a 1.0 gain matte screen. In-room contrast = (projector + ambient) / ambient. Illustrative, and deliberately conservative: a higher gain or an ALR screen improves every row.
All three models use a 0.8:1 throw ratio, so the lens sits at eight tenths of the image width from the screen. Pick a model, drag the slider, and the plan view redraws to scale.
Plan view, drawn to scale. 16:9 image, distance measured from the lens to the screen surface.
| Diagonal | Image width | TL11 | TL15 | TL21 |
|---|---|---|---|---|
| 60" | 1.33 m | 1.06 m | 1.06 m | — |
| 100" | 2.21 m | 1.77 m | 1.77 m | 1.77 m |
| 120" | 2.66 m | 2.13 m | 2.13 m | 2.13 m |
| 150" | 3.32 m | 2.66 m | 2.66 m | 2.66 m |
| 200" | 4.43 m | 3.54 m | 3.54 m | 3.54 m |
| 250" | 5.53 m | 4.43 m | 4.43 m | 4.43 m |
| 300" | 6.64 m | 5.31 m | 5.31 m | 5.31 m |
| 350" | 7.75 m | — | — | 6.20 m |
| 400" | 8.86 m | — | — | 7.08 m |